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九谷焼 真生窯
煌五彩
Kou-gosai
煌五彩とは、真生窯初代 宮本忠夫が長年探求を続けた色絵細描技法作品の名称であり、真生窯でしか実現できない唯一無二の表現です。
生きた筆使いによる 超絶に緻密な細描、特徴的な呉須の色、そして透明度が極めて高い絵具。これらの要素が三位一体となり煌五彩を生み出します。
Kou-gosai is the name given to the detailed polychrome technique developed by Tadao Miyamoto, the first generation of Shinseigama, after years of dedicated exploration. It is a unique expression that can only be achieved at Shinseigama.
Kou-gosai is created through the intricate synergy of three key elements: extraordinarily precise brushwork that breathes life into the designs, the distinctive Gosu (cobalt oxide) color, and the exceptionally high transparency of the pigments. These elements combine to form the unparalleled artistry of Kou-gosai.
Since ancient times, it has been said that “Kutani cannot exist without overglaze painting.”
A single, living line forms a pattern, and the collective patterns create a painting.
To create vibrant and lively paintings, precise line drawing, strong artistic skills, and a well-developed sense of composition are essential. Mastering the art of ultra-fine detail work requires more than just painting small, uniform patterns. It demands an almost unfathomable amount of practice to express the subtle nuances and charm through delicate variations and textures.
古来より「九谷は絵付を離れて存在しない」といわれます。
一本の生きた線が模様となり、その集合体が絵となる。
生き生きとした絵を描くには、確かな線描と画力、高い構図力が求められ、超絶に緻密な細描を操るには、単に細かく整った小紋を描くのではなく、絶妙な揺らぎと趣きを表現するまでに気の遠くなるような鍛錬が必要となります。
線描には茶色味がかった特徴的な呉須を用います。
一般的な黒い呉須よりも、絵具を載せて焼いたときに品格のある豊かな表情を演出します。
For line drawing, we use a distinctive Gosu (cobalt oxide) with a brownish tint. Unlike the more commonly used black Gosu, this unique pigment creates a rich and dignified expression when applied and fired, adding depth and character to the artwork.
真生窯の絵具は、圧倒的な色彩の美しさと透明度の高さを誇り、それを塗り重ねて生まれる表情は、宝石のように煌きます。
呉須で模様を描いた上に塗る絵具としては九谷焼の中で最も高い焼成温度であり、約900度で美しく発色します。
The pigments used at Shinseigama are renowned for their overwhelming beauty and high transparency. When layered, they create expressions that shimmer like gemstones. The pigments, applied over patterns drawn with Gosu, are fired at approximately 900 degrees Celsius—the highest firing temperature used in Kutani ware—resulting in stunningly vibrant colors.
一つの模様の中でも細かく色を塗り分けていくことで器面が立体的に浮かび上がります。
また、絵柄の広い部分に塗る絵具と細かな部分に塗る絵具は異なる調合の絵具を用います。
By meticulously applying different colors within a single pattern, the surface of the piece appears to rise three-dimensionally. Additionally, different pigment formulations are used for broader areas of the design compared to the finer details, ensuring each section is brought to life with the appropriate depth and texture.
こうして、絵具を塗っては焼く工程を十数回ほど繰り返し行います。
焼成を重ねる事は高いリスクを伴い、一般的には剥離を起こしますが、苦心を 重ねて開発した独自調合の上絵具と細部にわたる塗りの工夫がそれを可能にしています。
In this process, the pigments are applied and fired repeatedly, often over a dozen times. While multiple firings typically carry a high risk of peeling, Shinseigama has developed a unique pigment formulation and meticulous application techniques that make this possible. These carefully crafted methods allow the pigments to adhere securely, even after many firings.
全ては豊かな表情を生み出すために。
All of this is done to create rich and expressive surfaces.
究極の作品を生み出すために必要な要素全てを極限まで追求した煌五彩。
その作品は全て唯一無二の一点ものであり、真生窯二代 宮本雅夫に引き継がれて進化を続けます。
Kou-gosai is the result of the relentless pursuit of every element required to create the ultimate masterpiece. Each piece is a one-of-a-kind creation, continuing to evolve under the stewardship of Masao Miyamoto, the second generation of Shinseigama.
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